Pub date: March 1, 2001
Kwame Dawes is one of the premier reggae poets of our time. A musician, actor, scholar and writer with roots in Ghana, the Caribbean and Canada, Dawes is one of those rare artists who can move from lyrics to poetry in a single beat. In this new collection of poetry suffused with raw sensuality and a reggae aesthetic, Dawes presents a collision of sounds, tensions and rhythms. Drawing deeply on his experiences in Africa, the Caribbean, Canada, England, and the American South, Dawes seeds his poems with questions of inheritance and "hieroglyphs of belonging."
His portrait of an old man on a tropical beach is shaded with memories of colder places. In the 11-page title poem, "a dialect of ire" unfolding like "the hung man dangling/from a live oak," Dawes transforms the poetry of protest into a compassionate search for the "dusty graves" of his ancestors, insisting that his readers look beneath "affinities of skin, sin and suffering" to the roots of a brutal inheritance. In "Excursion to Port Royal," he confronts the abject hunger of history.
Like Dawes's earlier work, the poems in Midland treat the mysteries of displacement, loss, and belonging. Now, he has added to this mix the slavery upon which the American South was built and which continues to haunt it today. Midland is Dawes's seventh poetry collection and the first to be published simultaneously in Canada and the US. Prior to publication, it was awarded the Hollis Summers Poetry Prize from Ohio University Press.
"Full of passion . . . Dawes infuses a sense of richness in even the smallest image or idea. Every line is full and powerful without exception . . . These are not just the thoughts of a single individual but thoughtful works that can speak to many different people in profound ways . . . This book will inspire." - Pottersfield Portfolio